In our autumn 1987 issue Michal Leszczylowski, editor of The Sacrifice, remembers his last meeting with Andrei Tarkovsky.

The idea that New Zealand films could attract global success was on the ascendant in the 80s and 90s, after the New Zealand Film Commission had been established and highly distinctive films such as ...

Milisuthando Bongela’s remarkable documentary examines the history of South African apartheid through the lens of her childhood in the Transkei, a segregated South African state reserved for Black ...

The makers of DreamWorks Animation’s wild escapade talk about bringing nature and technology together. The Wild Robot screened in the BFI London Film Festival as a special presentation on 13 October ...

WorkWise for Screen is a pilot to support screen businesses and employers to prioritise equality, dignity and respect in the workplace and sector specific guidance on the government’s incoming ...

A Sudden Glimpse to Deeper Things arrives in UK cinemas 18 October.

Sean Baker, director of the Palme d’Or winning Anora, spoke to the LFF audience about wildly differing reactions to his films, and why ‘non-professional actor’ is a damaging term.

Director Gints Zilbalodis’s wordless environmental fable finds comedy in animal behaviours as an unlikely gang of castaway creatures fights to survive a flood.

Don Hertzfeldt turns an unrealised musical collaboration into a wordless animated dystopia that blends inter-dimensional compositions with the broken-puzzle poetry of Mulholland Dr. (2001).

It may not have the focus and flair of How to Train Your Dragon, but Chris Sanders’ quirky tale of an unlikely bond between an upbeat android and an orphaned gosling has a lot of heart.

At his LFF Screen Talk, the Dune director spoke of the formative influence of Steven Spielberg, the female characters at the centre of the Dune franchise, and the scar that reminds him not to act.

The grotesque pantomime killings of Art the Clown reach new extremes with this gory Christmas addition to the Terrifier franchise.